389:

ÆON, Øystein Sture Aspelund [1]

The series “ÆON” is a collection of temporary installations of smoke, light & fire, set in unspoiled Nordic landscapes. Thematically, the series is examining our relationship with the landscape and natural habitat. It is focusing on how we, as humans, interact with our natural spaces and environments. Raising awareness and presence, the series is aiming to create a symbiosis with the installations and its surroundings, while at the same time reflecting on the so-called Anthropocene epoch we live in today. Technical info: -No CGI -No heavy retouching/post-prod. -Some minor color corrections and contrast adjustments

bohkutos:

Sugimoto Saichi || Chapter 185

rustincohleruinedmylife:

On Tjugondag jul [the 13th Day of Yule], there has been a tradition a bit analogous to modern Santa Claus, where men dressed as a goat (Finnish: Nuuttipukki) would visit houses. Unlike Santa Claus, Nuuttipukki was a scary character (cf. Krampus). The men dressed as Nuuttipukki wandered from house to house, came in, and typically demanded household residents for food and especially alcoholic beverages. (wikipedia)

but the exhaustion of old age is something completely different—liberating, too, because you can let things go their own way, and are left with nothing but the sensitivity of the brush.

helene schjerfbeck (1862–1946), self portraits

cinemove:

What We Do In The Shadows (2014) dir. Taika Waititi and Jemaine Clement

passionpeachy:

holy trinity

women-loving-art:

If You Go Away, 1976
Her Home, 1980
Nancy Fried